DAT Audience Source ("Johnky" Rip) [flac] [1:37:42]
This Is Not A Drill Intro [0:43]
Fuckin' In The Bushes [1:35]
Turn Up The Sun [3:54]
Lyla [5:18]
Bring It On Down [4:35]
Morning Glory [4:51]
Cigarettes & Alcohol [6:03]
The Importance Of Being Idle [4:09]
The Masterplan [5:31]
Songbird [2:41]
A Bell Will Ring [3:20]
Acquiesce [4:00]
Live Forever [5:50]
Mucky Fingers [4:20]
Wonderwall [4:27]
Champagne Supernova [6:58]
Rock N Roll Star [8:28]
Guess God Thinks I'm Abel [5:24]
The Meaning Of Soul [2:42]
Don't Look Back In Anger [5:44]
My Generation [7:09]
Release Notes
In my opinion the best recording of the 3 nights
Don't Believe The Truth - Japan Tour 2005 (Bayswater, bw-192-196) CD2 Tracks #7-12 / CD3 [0:26:56 / 1:11:38]
This is Not a Drill [0:53]
Fuckin' In The Bushes [1:34]
Turn Up The Sun [3:57]
Lyla [5:16]
Bring It On Down [4:32]
Morning Glory [4:36]
Cigarettes & Alcohol [5:58]
The Importance Of Being Idle [4:51]
The Masterplan [5:27]
Songbird [2:42]
A Bell Will Ring [3:15]
Acquiesce [4:07]
Live Forever [5:50]
Mucky Fingers [4:21]
Wonderwall [4:12]
Champagne Supernova [7:05]
Rock N Roll Star [9:38]
Guess God Thinks I'm Abel [4:19]
The Meaning Of Soul [2:41]
Don't Look Back In Anger [5:45]
My Generation [7:25]
Release Notes
Complete recording of all four shows from their 2005 Japan tour
Natural and clean sound quality that clearly demonstrates the difference in sonic freshness
Longest recording, including debuts
Includes tour poster
Oasis visited Japan twice in 2005. They first performed at Summer Sonic in August (Bayswater label "Summer Sonic... 2005" 3CD), and then embarked on a four-date Japan tour in November, stopping in Osaka and Tokyo. This release features all four complete performances from that November tour.
The recent trend is to over-edit and over-mix multiple sources, or to resort to AI separation, which is largely ineffective in audience recordings, resulting in numerous releases with overly processed, unnatural, artificial, or mechanical soundscapes that are far removed from the original sound. And just as a palate accustomed to processed foods finds food saturated with seasonings and additives delicious, it seems as if listeners' taste buds have also become numb.
Of course, there are certainly merits to such a title, but this work serves as an antithesis to that trend, capturing the authentic sound of audience recording, characterized purely by its freshness. Enjoy the natural, clean, and high-quality sound that won't tire your ears.
Until now, the final song, "My Generation," from the November 17th Osaka-jo Hall performance and the November 18th Yoyogi Gymnasium performance was slightly cut off by the fade-out process. This work not only properly records the entire fade-out, but also includes John Lennon's "Gimme Some Truth" played over the PA system after the performance, as well as the announcement encouraging everyone to leave. Also, before the show began, World of Twist's "Son of the Stage," a cover by BEADY EYE, was played throughout the venue on all four days. At the November 18th performance, Liam showed off his mischievous side by singing "Cigarettes & Tokyo."
The third day, November 20th, and the final day, November 21st, at Yoyogi National Gymnasium, also had longer overall recording times, starting with the background music played in the venue before the aforementioned performance, which made its debut. The 20th performance in particular was the only day on which "Talk Tonight" was performed. On both days, "My Generation" was recorded in its entirety up to the end of the fade-out, and even the Beatles' "Let It Be," which played in the venue after the performance, was recorded in its entirety.
This work is recorded in its entirety with a natural, clean, and natural DAT sound source, taking advantage of the freshness of the same taper for all performances. It is the longest recording to date, including the first-time performance. It is a heavy title with a heavy presence and "pressure," housed in the same sleeve case as the Bayswater label's "Maine Road 1996." This is a beautiful picture disc, a sturdy press edition for permanent preservation.
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» November 18, 2005 / Yoyogi Taiikukan; Tokyo, Japan «
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