Release Notes
Source : Icom IC-R5 (ear monitor feed) > Edirol R-09 (44.1KHz 24 bit)
Mastered in Adobe Audition 3.0, Har Bal 2.0 and Izotope Ozone 4.0
Last show (ever?) from Oasis recorded from an in ear monitor feed. Occasional interference in some songs, largely fixed using the auto healer in Adobe Audition 3.0 but you might hear some artefacts here and there. Very good mix. A slight gap of a couple of minutes in Champagne Supernova as my batteries ran out and I had to change. Consider this my Christmas present from me to you and here’s to Oasis 2.0 and the Noley G solo record. Onwards and upwards for 2010.
Release Notes
Source : Icom IC-R5 (ear monitor feed) > Edirol R-09 (44.1KHz 24 bit)
Mastered in Adobe Audition CC2018, Har Bal 2.3 and Izotope Ozone 8.0
Remastered using the Sound Remover in Adobe Audition CC2018 to remove static noise. Around 1 minute and 20 seconds (missing because my batteries on the Edirol ran out) patched in Champagne Supernova using the Eden Project IEM source from 14 July 2019 and a further 30 seconds or so in Wonderwall and I'm Outta Time where mobile phone interference was too severe to repair. Also multiple patches throughout where the Sound Remover could not be used.
Who Breaks a Butterfly Upon a Wheel (Whiteleys, WL-01/02) CD1/CD2 Tracks #1-3 [1:39:53]
Release Notes
Really love Petrock's recording from V-Fest last gig from an IEM Feed but i always find that the Audience was missing, specially during Don't Look Back In Anger.
After some trade, a real kind soul gave me an audience recording source (Thanks to you Mate)
From this moment, the idea of putting these recordings together grows on me.
Here's the final result (after 5 different unsatisfying mixes).
Audience source
Taper : AlexBuratti
Rig : 90 Degree Mic {Level 55] -> Zoom H2
Sound Quality : Decent Audience Recording For A Festival !!
IEM Source
Taper : Petrock2000
Source : Icom IC-R5 (ear monitor feed) > Edirol R-09 (44.1KHz 24 bit)
Mastered in Adobe Audition 3.0, Har Bal 2.0 and Izotope Ozone 4.0
Mastering: Uncompressed wav for both source > Time Aligned with Cubase SX > WAV > Track Splitting > WAV
Only time aligning and volume adjusting, panning during the mix, no other filtering/altering of the recordings.
Note that it wasn't mastered track by track but during the play of the whole gig, as if it was done in real-time during the gig.
V Festival (Moonchild Records, MC-236) CD2 Tracks #4-12 /CD 3 [0:38:32 / 1:00:26]
Fuckin' in the Bushes [2:10]
Rock 'N' Roll Star [5:17]
Lyla [4:59]
The Shock Of The Lightning [5:29]
Cigarettes & Alcohol [4:45]
Roll With It [4:01]
Waiting For The Rapture [4:25]
The Masterplan [5:02]
Songbird [2:24]
Slide Away [6:41]
Morning Glory [4:34]
My Big Mouth [5:30]
Half The World Away [4:17]
I'm Outta Time [4:32]
Wonderwall [4:16]
Supersonic [5:02]
Live Forever [5:52]
Don't Look Back In Anger [5:12]
Champagne Supernova [6:16]
I Am The Walrus [8:14]
Release Notes
Sourced from IEM recording (remastered from Who Breaks A Butterfly Upon A Wheel? (Whiteleys, WL-01/02).
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» August 22, 2009 / V Festival, Weston Park, Staffordshire, UK «
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