Taper Notes:
Taper: Johnky
Rig : Sonic Studios DSM6 mics -> Sony D7
"Dream Remaster" 2020 [1:05:25]
The Swamp Song [2:37]
Aquiesce [4:04]
Supersonic [5:08]
Hello (1st take) [0:41]
Noel & Liam ask the crowd to move back [0:37]
Hello (2nd take) [2:53]
Shakermaker [4:28]
Liam complains about a thrown object [0:28]
Roll With It [3:57]
Some Might Say [5:19]
Slide Away [5:55]
Cigarettes & Alcohol [4:38]
Rock 'n' Roll Star [6:03]
Don't Look Back In Anger [4:57]
Live Forever [4:53]
I Am The Walrus [8:47]
Release Notes:
Many thanks to Johnky for posting & the taper.
Nice recording, did some editing & then remastering.
One of my favorite Oasis shows, great version of "Slide Away"
The band on top form despite crushed fans & things bring thrown.
Not perfect by any means.
If early Oasis is your thing sure you will like it.
Enjoy...
Dream Remastered @ Reflecting Sound Studios, Southampton, England, 2020.
Slane Castle 1995 DAT Master (Wardour) [1:06:50]
The Swamp Song [2:37]
Aquiesce [4:04]
Supersonic [5:12]
Hello (1st take) [0:41]
Noel & Liam ask the crowd to move back [1:23]
Hello (2nd take) [3:02]
Shakermaker [4:29]
Liam complains about a thrown object [0:32]
Roll With It [4:01]
Some Might Say [5:22]
Slide Away [5:55]
Cigarettes & Alcohol [4:48]
Rock 'n' Roll Star [6:05]
Don't Look Back In Anger [4:58]
Live Forever [4:48]
I Am The Walrus [8:53]
"Thieving Magpie Remaster" 2023 [1:06:50]
The Swamp Song [2:37]
Aquiesce [4:04]
Supersonic [5:12]
Hello (1st take) [0:41]
Noel & Liam ask the crowd to move back [1:22]
Hello (2nd take) [3:02]
Shakermaker [4:59]
Roll With It [4:05]
Some Might Say [5:20]
Slide Away [5:57]
Cigarettes & Alcohol [4:47]
Rock 'n' Roll Star [6:05]
Don't Look Back In Anger [4:58]
Live Forever [4:48]
I Am The Walrus [8:53]
Release Notes:
Uploader/Ripper: NoelsOasis/jezza2
Remastered/Edited: james
Source 1: AUD - "Slane Castle DAT Master" CD - FLAC
Source 2: SBD - MTV Broadcast - VHS - ? - FLAC
Source 3: SBD - Casstte - ? - FLAC
Post Production: WAV - Remaster & Remix - FLAC
comments
Slane Castle '95 is likely a transfer from a (relatively high-gen) tape source to CD in the late nineties.
Even though the tape sources being traded at the time were complete, this CD source is missing "Rock n Roll Star" but still manages to include some bonus tracks like "Bring it on Down" (Live at Glenagles from the Vox Giveaway) and "Don't Look Back in Anger" Live at Earl's Court '97 (from the "Rock The Dock Benefit" CD).
Chill Out! is new COMPLETE DAT source using the "Johnky" source.
As usual the Wardour releases come with some great notes (translated from Japanese):
It’s not an exaggeration to say that it’s a rare masterpiece of the 1990 rock album as well as an oasis.
The group who finished the work of “(WHAT’S THE STORY) MORNING GLORY?” That’s what we can call the first peak in 1995.
At this time of year, there was a masterpiece called Glastonbury, and another masterpiece called the Roskill de Festival is well known to enthusiasts.
The expression “the time when the fat got on” fits perfectly.
While both of them were records of the stage in June 1995, in July they served as the undercard of REM in several performances.
Due to the nature of the undercard, there are no sound sources for broadcasting at this time, but fortunately there are audience recordings with outstandingly good sound quality.
It will be released this time on July 22nd at Slane Castle in Slane.
It is an outdoor venue where many big names held concerts, so if you like rock, you may have heard it once.
The items of the various artists who performed here often feature Dublin credits, but in reality they were not located in Dublin.
However, most people will go to this venue via Dublin, so it’s almost like going from Tokyo to Tokyo Disneyland via Chiba. To tell the truth, at the beginning of this release, I misunderstood that it was Dublin (bitter smile).
Even so, the sound quality of the audience recording on this day is outstandingly good.
Recording using a DAT recorder was also successful, and the sound image was turned on anyway.
This is a recording state that should be described as “soundboard-like.”
It seems that the ease of listening is guaranteed by itself, but another big merit is that because it was the undercard of another artist, the big chorus that is common in live performances of Oasis has not occurred at all.
The environment in which the sound image is close and the surrounding sounds are not bothersome is effective, and it is exceptionally easy to hear even in the audience recording of the 1995 oasis.
It is a superb sound source that boasts such quality, but the fact that it has only been released as a bonus CD of the 2002 live broadcast item “ARE YOU GONNA BE THE ONE WHO SAVES ME?” I can’t.
A British oasis researcher who has provided and supervised sound sources other than the Kinney Master reminded me, “My favorite show. I really want you to release this.”
Of course, for this release, it will be recorded again from the DAT master copy version that was on the net.
Although the original sound quality was very good, there was a problem that the volume at the time of recording was lowered in the first half of “Acquiesce”, so I carefully adjusted this part.
I restored it to a natural state as if there were no such problems.
Of course, the sound quality is wonderful, but the performance of the oasis on this day is also wonderful.
It’s ridiculous to think that it will be exciting because they are playing in front of the audience who is the undercard of REM and the chorus does not occur, and they are enthusiastic with the high tension performance unique to this time.
As proof of that, when I started “Hello” which was still before the release at that time, the audience rushed forward and the band immediately stopped playing.
Noel is calling attention with a strong tone, and it is a scene that is quite devilish. It was also a scene that predicted the happening that happened at their live performance in Manchester 10 years later.
More than that, Liam’s voice is in great shape. In the first place, there were few bad days, and it was a time when voices were coming out in a funny way every day, so I really feel good listening to them.
A thrilling performance that is as good as Glastonbury and Roskillde. The songs included in “MORNING GLORY” such as “Hello” played by repartitioning, “Roll With It”, and “Don’t Look Back In Anger” which has not yet turned into an anthem shines freshly. Under such circumstances, Liam’s coolness screams “Camone!” At the start of the finale “I Am The Walrus”. After all this time is special.
And in front of “Don’t Look ~” and “Rock’n’ Roll Star”, there is a scene where Alan White hits a funny rhythm, and as he gains experience on the tour, he becomes a drum craftsman who silently carves the rhythm.
You can also get a glimpse of the innocence that is unique to him immediately after joining. A famous sound source and a famous performance that there are many such things to hear. An audience album with the best sound quality that captures the first peak summer oasis in 1995!
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